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Roland Cf Cd 2 Cavalli strumenti Musicali


ROLAND CD-2 REGISTRATORE STEREO PER REALIZZARE AUDIO CD CD-2 è un registratore stereo pensato per realizzare Cd in modo semplice e professionale. La sua ideale applicazione è la registrazione diretta di CD Audio, oppure, grazie al supporto per CompactFlash Card fino a 2GB (che consente circa 6 ore di registrazione) la memorizzazione di lunghe registrazioni con qualità eccellente. Oltre all'ottimo microfono stereo incorporato è possibile connettere al CD-2 ulteriori microfoni con collegamento XLR e prefezionare la registrazione grazie agli effetti incorporati. Quindi, per la realizzazione di CD "in diretta" o per la memorizzazione e l'editing di lunghe registrazioni (giornalisti, studenti, ecc) CD-2 diventa il compagno ideale, consentendo in modo facile risultati professionali. CaratteristicheRegistratore Stereo per la creazione di Audio CD Registrazione diretta su CD o via Compact Flash Effetti per: chitarra, voce e mastering 2 XLR inputs, stereo mic incorporato e speakers .



karaoke casse bellissime

karaoke casse

JBL EON515 diffusori prezzo listino 709,00 euro singola.


Powered PA Speakers are strong enough for touring musicians and versatile enough for a school or boardroom.
Touted as the Next Generation of EON products; the EON 515 is self-powered, light-weight and durable. EON speakers have been around since 1995, and set the bar for molded powered speakers for years after. From industrial design to sonic performance and integrated utility, the EONs still push the envelope for powered speakers in their class even now setting a new expectation in the ratio of performance to weight.

  • Multiple handles for easy transport
  • Differential Drive transducer technology
  • State-of-the-art Class-D Crown Design amplifier
  • Waveguide design with lower distortion and exceptional coverage
  • On-board mixing capability
  • Mix or Loop-thru output option
  • Monitor or Mains applications
  • Composite light weight durable enclosure
  • Full protective grille coverage
  • Integrated standard M10 suspensions points
  • Low Frequency Driver: 15 inch (Differential Drive)
  • High Frequency Driver: 1 inch (exit)
  • Low Frequency Power: 350 watts
  • High Frequency Power: 100 watts
  • Handles: 4
  • Inputs: 3
    • 1 XLR (Balanced)
    • 1 1/4 inch TRS (Balanced)
    • 1 1/4 inch TS (Unbalanced)
  • EQ Control: 3 Presets
  • Weight: 32.5 lbs




  • 14-channel mixer featuring Mackie signature high-headroom/low-noise design
  • 6 boutique-quality Onyx mic preamps
    • Ultra-wide 60dB gain range
    • 128.5 dB dynamic range
    • +22 dBu line input handling
    • Extended frequency response
    • Distortion under 0.0007% (20Hz – 50kHz)
  • Improved RF rejection perfect for broadcast applications
  • Phantom power for condenser mics
  • 14 high-headroom line inputs with +4/-10 operation control
  • 3-band EQ (80Hz, 2.5kHz, 12kHz)
  • 18 dB/oct 75Hz low-cut filter on mic input channels
  • 2 aux sends, level, pan and PFL solo on each channel
  • 60mm long-wearing log-taper faders
  • 2 stereo returns for connecting FX processor or other stereo source
  • ALT 3/4 stereo bus for added routing flexibility
  • Control room / phones source matrix
  • High-resolution 12-segment stereo meters
  • Sealed rotary control resist dust and grime
  • “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
  • Rack-mountable design using optional rack ear kit
  • Multi-voltage power supply for worldwide use
Roland Sound Canvas in vendita

Since their introduction the Sound Canvas series of MIDI sound generators have proven to be popular and versatile electronic musical instruments. Wether for use in commercial recording studios, project MIDI studios or to play back MIDI files they have earned a reputation for being easy to use, reliable and affordable.

Now, with the introduction of the SC-88 Pro, the possibilities for external real-time control of a MIDI sound generator are now virtually limitless. With an expanded sound effects library, 40 megabytes of wave memory (providing 1,117 editable and 256 user sounds) and a computer port designed to interface with your Mac or PC this an invaluable addition to almost any studio.

GS Format Before getting into the SC-88 Pro we want to first take a moment to introduce Roland's GS format.

The GS standard has been been around since the SC-55 module was first introduced in 1991, and later enhanced with the introduction of the SC-88 in 1994, and unlike the General MIDI format, which contains 128 preset patches (sounds) and a few drum sets, the GS format is able to include new sounds and support new hardware features when they arrive, and unlike General MIDI the GS sounds can be edited with several filters and effects to get new, custom-made sounds.

Display Panel
Let's start off by taking a look at the front panel and in particular the large well illuminated display screen which lets you see what's going on inside the instrument.

There are several areas of the display which are dedicated to providing information such as the name and number of the current preset, as well as reverb, chorus, pan and MIDI channel settings. This information can be referred to at any time while the rest of the display gives information about each one of the thirty two channels.

As mentioned earlier the display is nice and bright and it's particularily easy to see at a glance what's going on. The MIDI channel number indicator is conveniantly located next to the main preset indicators which makes it even easier to see which MIDI channel is assigned to which preset. The area usually reserved for displaying the preset name also doubles as a readout when changing filter or vibrato and ADSR settings, it also tells you which effect is selected when editing the parameters of the built-in digital effects processors.

This new, top of the line Sound Canvas, with 40 megs of wave memory provide 1117 editable and 256 user sounds. You'll be amazed at the realism of the acoustic sounds - these set a new level. Of course, you get lots of drum sets (42 - from jazz to dance, hip hop to ethnic) and lots of multi-timbral capacity (32 parts/64 voice). Add in vintage synth sounds that you can combine for all new sounds and you've gone Pro.

64 insertion effects you can apply to each part help you get a truly professional finish to your music. And any MIDI file will sound better on the new SC-88Pro.

SC-88 Pro Specifications:

Internal Sounds & Effects Memory:

3 Sound Maps (SC-88Pro Native, SC-88, SC-55),
1117 Preset sounds, 42 Drum sound sets (including 3 sfx sets), 256 User sounds, 2 User drum sound sets,
64 User effects,
128 Preset Patches (with Effect), 16 User Patches.
Reverb (8 types),
Chorus (8 types),
Delay (10 types),
2 band Equalizer,
Insertion Effect (64 types).
MIDI IN A & B Front/Rear, OUT-THRU),
Audio Input jack x2 l/r,
Input Volume knob,
Audio Output jack x4 (1l,1r,2l,2r),
Headphones jack.
Connects easily to a PC or Mac serial port.
Dimensions: 8-5/8"(W) x 9-7/8"(D) x 2-7/8"(H).
Weight: 5 lbs. 7 oz.

. Stereo-EQ 2. Spectrum 3. Enhancer
4. Humanizer 5. Overdrive 6. Distortion
7. Phaser 8. Auto Wah 9. Rotary 10. Stereo Flanger 11. Step Flanger 12. Tremolo 13. Auto Pan 14. Compressor 15. Limiter 16. Hexa Chorus 17. Tremolo Chorus 18. Stereo Chorus 19. Space D 20. 3D Chorus 21. Stereo Delay 22. Modulation Delay 23. 3 Tap Delay 24. 4 Tap Delay 25. Time Control Delay 26. Reverb 27. Gate Reverb 28. 3D Delay 29. 2-Voice Pitch Shifter 30. Feedback Pitch Shifter 31. 3D Auto 32. 3D Manual 33. Lo-fi 1 34. Lo-fi 2 35. Over Drive & Chorus 36. Over Drive & Flanger 37. Over Drive & Delay 38. Distortion & Chorus 39. Distortion & Flanger 40. Distortion & Delay 41. Enhancer & Chorus 42. Enhancer & Flanger 43. Enhancer & Delay 44. Chorus & Delay 45. Flanger & Delay 46. Chorus & Flanger 47. Rotary Multi (OD-EQ-RT) 48. Guitar Multi 1 (Cmp-OD-CF-Dly) 49. Guitar Multi 2 (Cmp-OD-EQ-CF) 50. Guitar Multi 3 (Wah-OD-CF-Dly) 51. Clean Guitar Multi 1 (Cmp-EQ-CF-Dly) 52. Clean Guitar Multi 2 (AW-EQ-CF-Dly) 53. Bass Multi (Cmp-OD-EQ-CF) 54. Rhodes Multi (EH-PH-CF-TP) 55. Keyboard Multi (RM-EQ-PS-PH-Dly) 56. Chorus/Delay 57. Flanger/Delay 58. Chorus/Flanger 59. Overdrive 1/Overdrive 2 60. Overdrive/Rotary 61. Overdrive/Phaser 62. Overdrive/Auto Wah 63. Phaser/Rotary 64. Phaser/Auto Wah

Shure Ksm 9
SHURE KSM9 Microfono professionale prezzo listino 535,00 euro


• Diaframmi doppi in Mylar® da 3/4 di pollice, leggerissimi e placcati in oro,
per una risposta in frequenza di livello superiore.
• Diagrammi polari doppi (cardioide e supercardioide) per ottenere la massima
flessibilità in un'ampia gamma di applicazioni.
• Preamplificatore di classe A, discreto, senza trasformatore per la limpidezza
del suono, con risposta velocissima ai transitori, assenza di distorsione
• Supporto antivibrazione a sospensione avanzato,
rumore dovuto agli spostamenti del microfono ed alle vibrazioni del sostegno.
• Componenti elettronici di prima qualità; i connettori interni ed esterni sono placcati in oro.


Shure Cantante Perfetto
Il modello BETA 58A della Shure è un microfono vocale dinamico a supercardioide ad uscita elevata, realizzato per applicazioni in studi di registrazione ed impianti di amplificazione professionali. La caratteristica di ricezione a supercardioide rimane invariata in tutto il campo di frequenza del microfono, assicurando così un elevato guadagno a monte della retroazione, massimo isolamento acustico e minima colorazione dei toni fuori asse. L’andamento della risposta in frequenza del modello BETA 58A è ideale per applicazioni vocali in cui il microfono venga tenuto estremamente vicino alle labbra. Grazie alla sua costruzione robusta, al sistema comprovato di montaggio antivibrazione e alla griglia in acciaio temprato, un uso aggressivo del microfono non influisce sulle sue eccellenti prestazioni. Applicazioni tipiche del modello BETA 58A includono l’uso sia da parte di cantanti solisti che del coro di accompagnamento. provenienti dal retro, ciò può non essere ovvio né intuitivo.
Shure green bullet

Model 520DX “Green Bullet” microphone produces the unique sound that has made it a legend among harmonica players.
The 520DX features a volume control knob at the base of the microphone that allows musicians to make adjustments to suit their needs during a live performance. An attached cable with a standard 1/4-inch phone plug allows the microphone to be connected to a high-impedance device.

* New volume control knob allows musicians to adjust the volume to fit each musical situation
* New rugged, dynamic cartridge with improved response
* High-impedance, omnidirectional
* Supplied with 1/4 inch connector
* Frequency response 100 to 5,000 Hz
Type Dynamic Frequency Response 100 to 5,000 Hz view larger Polar Pattern Omnidirectional Impedance High, unbalanced Load Impedance Range Minimum: 100 kilohms Output Level (at 1,000 Hz) Open Circuit Voltage ­38.0 dBV/Pa (13 mV)* *1 Pa = 94 dB SPL Polarity Positive sound pressure on diaphragm produces positive voltage on tip with respect to sleeve (ground) of microphone output phone plug connector Cable 6.1 m (20 ft) two conductor shielded with standard 1/4-inch phone plug attached (supplied wired for high-impedance, unbalanced connection) Case Green and chrome finished die casting Dimensions 63 mm (2.5 in) max diameter, 82.6 mm (3 1/4 in) long Net Weight (with cable) 737 grams (26
WIRELESS HAND-HELD MICROPHONE SYSTEM Ricevitore RM100 a frequenza fissa, trasmettitore a mano VHF, alimentatore di potenza, cavo di collegamento esterno. Il sistema RM100 a banda VHF monoantenna è progettato per dare con semplicità e immediatezza soluzioni a un’ampia gamma di utilizzi, estremamente compatto, è ideale per applicazioni in conferenze, lezioni, funzioni religiose e in tutti quei luoghi dove esso può essere facilmente installato. RM100M ( Radiomicrofoni )
• Ricevitore a frequenza fissa, • Indicatore di picco audio
• Indicatore di ricezione RF, • Controllo di volume
• Squelch manualmente regolabile, • Uscita 1/4” Jack
• Antenna fissa, • Alimentatore esterno.
• Capsula microfonica dinamica incorporata
• Selettore ON/OFF/MUTE,
• >12 Ore d’autonomia con 1 sola Batteria AA
• Finitura antiscivolo
• Indicatore dello stato della batteria
m audio
If you make music with GarageBand or other software recording programs, Fast Track USB is the easiest way to record your guitar with professional results. Just connect Fast Track USB to the USB port of your computer and you’re ready to rock. Fast Track USB has an input for instruments like guitar, bass and keyboards, plus a microphone input for recording vocals or other acoustic sounds. The included GT Player Express software gives you killer effects and virtual stomp boxes so you don’t need any other gear to sound great. GT Player Express also plays standard audio files like AAC, MP3 and WAV that let you learn and jam along with your favorite music at variable speeds. Fast Track USB is the easy and professional way to add guitar, vocals, and more to your computer music experience.

*M-Audio Session software is available in Fast Track USB packages sold at consumer electronics retailers, and currently works only with Fast Track USB and M-Audio Micro hardware. If you purchased a Fast Track USB package from your local pro audio dealer, you received a professional software bundle including Ableton Live Lite. If you wish to purchase Session for use with your Fast Track USB, it is available directly from M-Audio120,00 euro. Purchase Session now.”
Lexicon Mx400 effetto professionale prezzo listino 319,00 euro

• 17 riverberi Lexicon®
• 99 programmi di fabbrica e 99 memorie utente in modalità Stereo
• 99 programmi di fabbrica e 99 memorie utente in modalità Dual-Stereo • 25 programmi di fabbrica e 25 memorie utente in modalità Surround
• 7 delay & 8 effetti • Compressore e de-esser dbx® interni • Architettura a quadruplo processore • 7 routing di configurazione • Utilizzabile come hardware Plug-In via USB (non utilizza la CPU del computer)
• 4 ingressi e 4 uscite analogiche bilanciate
• 2 ingressi e 2 uscite digitali S/PDIF
• Campionamento a 24 bit/48 kHz

Ibanez Tone Lok DE7 Delay Echo Pedal

Add new dimension to the sound with the DE7 Echo Pedal. Get the best of both worlds. High tech digital sounds comparable to expensive rack units or warm vintage tape echo sounds - all with a simple flick of the switch. Time, repeat and level controls help you dial in just the right amount of delay, while stereo outputs can be used for a more spacious sound. With a range of 30ms to 2.6 seconds, the DE7 is the only sound solution for every playing situation.

On the outside, Tone Lok effects are equipped with Ibanez' exclusive "set and forget" Push-Lok rotary pots. Push the knobs down and your tone settings lock securely inside the case. No more lost settings or knobs broken by ticked off lead vocalists stomping off the stage.

On the inside, Tone Lok pedals feature hi-fidelity components carefully tweaked with the constant input from a new generation of Ibanez players. And all this great stuff comes encased in cool looking, road tough metal boxes at prices the working player can afford.

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